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Ordered structures have been increasingly recognized in recent years due to an explosion of interest in theoretical computer science and all areas of discrete mathematics. This book covers areas such as ordered sets and lattices. A key feature of ordered sets, one which is emphasized in the text, is that they can be represented pictorially. Lattices are also considered as algebraic structures and hence a purely algebraic study is used to reinforce the ideas of homomorphisms and of ideals encountered in group theory and ring theory. Exposure to elementary abstract algebra and the rotation of set theory are the only prerequisites for this text. For the new edition, much has been rewritten or expanded and new exercises have been added.

• Sales Rank: #929443 in Books
• Brand: Brand: Cambridge University Press
• Published on: 2002-05-06
• Released on: 2002-04-18
• Original language: English
• Number of items: 1
• Dimensions: 8.98" h x .67" w x 5.98" l, 1.15 pounds
• Binding: Paperback
• 312 pages

Features

• Used Book in Good Condition

Review
"...this second edition merits the same five stars as the first."
Mathematical Reviews


"The book is written in a very engaging and fluid style. The understanding of the content is aided tremendously by the very large number of beautiful lattice diagrams...The book provides a wonderful and accessible introduction to lattice theory, of equal interest to both computer scientists and mathematicians."
Jonathan Cohen, SIGACT News

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Persuasion in Your Life speaks directly to the student by focusing on actual life experiences–from critically viewing persuasive public campaigns to making business and health care decisions.  The book reflects a balance of theory and application and draws material from communication, psychology, and other disciplines.  Through its use of rhetoric, criticism, and social scientific research, the book helps readers understand, analyze, and use persuasion in their life and career.

• Sales Rank: #513805 in Books
• Published on: 2012-07-01
• Released on: 2012-07-01
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 7.30" l, 1.40 pounds
• Binding: Paperback
• 384 pages

About the Author
Shawn T. Wahl, Missouri State University

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PDF Ebook [(Music Production: For Producers, Composers, Arrangers, and Students )] [Author: Michael Zager] [Nov-2011]By Michael Zager

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• Published on: 2011-11-10
• Binding: Paperback

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Download Edexcel AS and A Level Modular Mathematics Mechanics 3 M3By Keith Pledger

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Edexcel AS and A Level Modular Mathematics Mechanics 3 M3

• Amazon Sales Rank: #4133888 in Books
• Brand: imusti
• Published on: 2009-06-26
• Original language: English
• Number of items: 1
• Dimensions: 10.47" h x .0" w x 7.76" l, 1.08 pounds
• Binding: Paperback

Features

• Pearson Publ Oxford Heinemann

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Get Free Ebook Opera-Comique: A SourcebookBy Robert Ignatius Letellier

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Opera-comique, like grand opera a specifically French genre of opera, emerged from the political changes and intellectual discussion that played a recurrent role in determining the nature of artistic expression and production in Paris. Opera-comique is distinguished by its use of spoken dialogue to link the arias and sung parts, and its more restrained use of recitatives. This form of opera emerged out of the popular entertainments, called opera-comiques en vaudevilles that were a feature of the popular suburban theatres held at the spring and autumn fairs (foire) of St Germain and St Laurent (and to a lesser extent at the comedy playhouse, the Comedie Italienne). The similarity of the types of entertainment provided by both the Comedie-Italienne and the two seasonal fairs brought the two companies ever closer, until, decisively, on 3 February 1756 they amalgamated, and found a theatre for their joint productions, the Hotel Bourgogne. Their type of entertainment, combining existing popular tunes with spoken sections, grew rapidly in popularity and soon lent its generic name to this house. The house, regardless of is changing venue, would become inextricably associated with the genre acted there, and known as the Opera Comique. The genre should not, however, be confused with the 18th century French version of the Italian opera buffa, which also emerged in the mid-century, and rapidly spread to France where it was known as opera bouffon. This is again different again from the 19th-century opera-bouffe which came to have special associations with the new form of operetta. The genre of opera-comique exercised a powerful popular appeal because of its unique fusion of fixed musical form with fluid improvised dialogue. The well-known airs of the day, invariably strophic, came to be the staple medium of artistic expression for the genre - the couplets. French and Belgian composers readily adapted the new and increasingly dynamic variety of opera-comique, and soon established its hegemony in the Parisian and provincial theatres. This astonishing development was by no means always associated with comic subject matter. The genre of opera-comique, despite its name, was not necessarily comic or light in nature. Indeed, the most famous of operas-comiques, Bizet's Carmen, is a tragedy. Increasingly, earlier composers in this genre - like Francois-Andre Philidor (Tom Jones, 1765), Pierre-Alexandre Monsigny (Le Deserteur, 1769), Andre Gretry (Richard Coeur de Lion, 1784), Luigi Cherubini (Lodoiska, 1791; Les Deux Journees, 1800) and Etienne-Nicolas Mehul (Joseph, 1807) - were concerned with more serious content, and produced works full of progressive musical innovation that made ever greater appeal to audiences beyond the borders of France (especially the famous type of the 'rescue opera' that emerged from the political storm and stress surrounding the French Revolution). The genre, with its unique mixture of comedy and drama, its captivating musical fluency, its increasing handling of serious or Romantic themes - expertly crafted by its most famous librettist Augustin-Eugene Scribe (1791-1861) - became universally popular in the masterpieces of its heyday during the fifty years between 1820 and 1870: Adrien Boieldieu's La Dame blanche (1825), Daniel-Francois-Esprit Auber's Fra Diavolo (1830) and Le Domino noir (1837), Ferdinand Herold's Zampa (1831) and Le Pre aux clercs (1832), Fromental Halevy's L'Eclair (1835) and Ambroise Thomas' Mignon (1866). The history of the opera-comique between 1762 and 1914 reflects the political and cultural life of France from the last days of the ancien regime, the tumult of the Revolution and Napoleonic era, through the on-going saga of France's search for the right mode of governance, the decisive battle between monarchy and republicanism, that found its watershed not in the revolutions of 1789, 1830 and 184

• Sales Rank: #6205172 in Books
• Published on: 2010-10-01
• Format: Unabridged
• Original language: English
• Number of items: 1
• Dimensions: 8.20" h x 2.20" w x 5.90" l, 2.60 pounds
• Binding: Hardcover
• 780 pages

About the Author
Robert Ignatius Letellier has specialized in the music and literature of the Romantic Period. He has studied the work of Giacomo Meyerbeer (a four-volume English edition of his diaries, a collection of critical and biographical studies, a guide to research, two readings of the operas, as well as compiling and introducing editions of the complete libretti and non-operatic texts, and a selection of manuscript facsimiles). He has also written on the ballets of Ludwig Minkus and compiled a series of scores of the Romantic Ballet.

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Ebook Download How Picturebooks Work (Children's Literature and Culture)By Maria Nikolajeva, Carole Scott

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How Picturebooks Work is an innovative and engaging look at the interplay between text and image in picturebooks. The authors explore picturebooks as a specific medium or genre in literature and culture, one that prepares children for other media of communication, and they argue that picturebooks may be the most influential media of all in the socialization and representation of children. Spanning an international range of children's books, this book examine such favorites as Curious George and Frog and Toad Are Friends, along with the works of authors and illustrators including Maurice Sendak and Tove Jansson, among others. With 116 illustrations, How Picturebooks Work offers the student of children's literature a new methodology, new theories, and a new set of critical tools for examining the picturebook form.

• Sales Rank: #1466512 in eBooks
• Published on: 2013-02-01
• Released on: 2013-02-01
• Format: Kindle eBook

Review
A welcome addition to the serious study of children's literature and a must for any institution with programs in children's studies.
–Choice

About the Author
Maria Nikolajeva is Associate Professor of Comparative Literature at both Stockholm University and Åbo Academy University.
Carole Scott is Professor of English and Former Dean of Undergraduate Studies at San Diego State University. She supervises the Graduate Specialization in Children's Literature at SDSU.

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Get Free Ebook By Athena du Pre - Communicating About Health: Current Issues and Perspectives: 2nd (second) EditionBy aa

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By Athena du Pre - Communicating About Health: Current Issues and Perspectives: 2nd (second) EditionBy aa

Get Free Ebook By Athena du Pre - Communicating About Health: Current Issues and Perspectives: 2nd (second) EditionBy aa

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• Sales Rank: #3879324 in Books
• Published on: 1994
• Binding: Paperback

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By Athena du Pre - Communicating About Health: Current Issues and Perspectives: 2nd (second) EditionBy aa PDF

By Athena du Pre - Communicating About Health: Current Issues and Perspectives: 2nd (second) EditionBy aa PDF

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